The artistic practice here is grounded in different mediums that condenses the relationship between line and idea, between movement and void. The works consist of signs and symbols oscillating between abstraction and reality—sometimes born from close observation, sometimes emerging from residual traces of visual memory.

The focus is not on narration, but on the visual construction of meaning, and on the tensions that arise when elements encounter each other in space: repetition interrupted, clarity that dissolves, gestures that resist immediate readability.

The political and social are not themes, but undercurrents that occasionally seep into the work—through form, movement, or symbolic displacement. In certain projects, the practice approaches the conceptual, yet never loses its connection to the body, the hand, and the tangible trace of drawing.

What appears on paper is not an answer, but an open visual proposal—where questions accumulate rather than resolve.